S8 28 S8
presented in conjunction with suek-artist and nanolab

8:00pm 28th March 2009
The BAck doOR @ suek-artist
entry off back lane
658 Plenty Road, Preston
Melbourne, Victoria, Australia

catch the 86 tram to stop 52

Contrary to beliefs, Super-8 film never went away.

This programme brings back focus to the use of the Super-8 gauge in film practice with a presentation of a collection of Australian experimental Super-8 film, most of which have not been publicly screened before. Still preferred by many, Super-8 has been a favoured gauge internationally by such greats as Derek Jarman, as well as by well-known and significant makers of avant-garde and experimental film, such as Anthony McCall, Carolee Schneemann, and John Maybury. Australia itself has seen many of its productive artists using Super-8 and a number of Super-8 film groups come and go. Today Super-8 is still used by a number of practitioners.

Curated by Richard Tuohy.


Blister Steven Ball, 9 mins, 1990
Compilation Louise Curham, 10 mins, 2003-2008
Ferny Dianna Barrie, 5 mins, 2005
Creek Crack Dianna Barrie, 5 mins, 2008

Hôtel Dunkerque Virginia Hilyard, 4 mins, 2009
City Walk Moira Joseph, 3 mins, 1992
Paws Moira Joseph, 3 mins, 1993
By the Sea Moira Joseph, 3 mins, 2001
Family Faces Moira Joseph, 5 mins, 2007
Porsche Laressa Kosloff, 3 mins, 1999
Wave Pool Laressa Kosloff, 3 mins, 2002
Mallee Stretching Richard Tuohy, 13 mins, 2006-2008
Tawdry Sass Maeve Woods, 5 mins, 1996
Triad Tesseraic Maeve Woods, 9 minutes, 1992

 


Stephen Ball
Blister

9 mins, 1990

Postcard
Dry snap underfoot
A history of fire. Please.
Write me. Drowning hot.

One of Steven's early 8 mm works experimenting with structure and the 'material' specificities of the Super-8

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Louise Curham
Compilation

10 mins, 2003-2008
 
This compilation by Louise Curham includes the following:
Merri Creek
Films for Liquid Architecture
Films for MSL
Abstract films for Alister Spence Conservatorium Grasses
Blue Mountains hand process
Earliest hand process
Japan hand process

The work of Louise Curham takes many forms: direct films, film installations, performed films and experimental films. She uses found and obsolete materials to re-work cinemas relationships to image, audience and space.

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Dianna Barrie
Ferny

5 mins, 2005

Creek Crack
5 mins, 2008

Dianna Barrie's films, while often concerned with the natural realm, are less about 'landscape' than about the minutiae of natural spaces.

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Virginia Hilyard
Hôtel Dunkerque
4 mins, silent, 2009

Shot on location in Dunkerque and Paris, France.

A screen artist based in Sydney, Virginia Hilyard has made and exhibited screen and installation works nationally and internationally since 1985.

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Moira Joseph
City Walk
3 mins, 1992

Paws
3 mins, 1993

By the Sea
3 mins, 2001

Family Faces
5 mins, 2007

Moira Joseph has a photographer's vision and many of her films can be compared to extended snapshots and illusions of time, often with an element of dreamlike fantasy.

Laressa Kosloff
Porsche
3 mins, 1999

Wave Pool
3 mins, 2002

Laressa Kosloff's films explore the subjective process of 'truth' in relation to time, space and memory. These films capture people interacting with the built world, undertaking work and leisure activities.

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Richard Tuohy
Mallee Stretching

13 mins, 2006-/2008

One of Richard Tuohy's 8mm 'landscape dances', this time exploring the desiccated forms fo Victoria's dry country.

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Maeve Woods
Tawdry Sass

5 mins, 1996

Triad Tesseraic
9 mins, 1992

In contrast to her painting works, which almost exclusively involve 'non-retinal' imagery, Maeve Woods films provide a pictorial context that concerns itself with an exploration of the spaceless.

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